The NOMAD´s board:

The NOMAD board, consisting of the SODAart representatives, invited experts who are commissioned for 2 years and the executive operators for the three stations, is entitled to choose the participants. The NOMAD board in 2007- 2009 are:

SODAart representatives: Jessica Wyschka (cultural project producer), Manfred Wiplinger (philosopher), Hilary Tsui (cultural manager, freelance writer)

Experts/ resource persons: Marko Stamenkovic based in Belgrade/Serbia. (curator/ art historian/ critic), Nora Sternfeld (curator, educator)

Executive operators: Emanuele Guidi, Berlin (curator), Kai Schupke, Berlin (cultural manager, galerist), Julia Riecke, Avignon (arts restorer,  curator), Birgit Prunner, Vienna (art historian).

Tutors 2007 - 2009: Nora Sternfeld and Marko Stamenkovic

Marko Stamenkovic based in Belgrade/Serbia. (curator/ art historian/ critic)

Marko Stamenkovic (*1977). Art historian, critic, and curator based in Belgrade (Serbia). Appointed curator at the O3ONE Art Space in Belgrade since April 2006. BA in Art History at the University of Belgrade, Faculty of Humanities (Art History Department, 2003). MA in Cultural Policy and Cultural Management at the University of Arts in Belgrade (UNESCO Chair for Cultural Management and Cultural Policy in the Balkans, 2005). Since 2001 active in various international programs (Artists Space Gallery, New York; Guggenheim Collection, Venice; SKC Gallery, Belgrade). His research interests range from interdisciplinary analyses of contemporary visual arts and curatorial studies to institutional cultural organization, art management, and political, social and economic aspects of aesthetic discourses. His current engagement, within the self-organized working platform art-e-conomy, revolves around the intersection of contemporary art, economy, and business, where the new global markets and their proper logic are seen as a site of social and cultural events, which are globally determined by the social and cultural behavior of participants/consumers. He is focused on themes that posit social campaigning, economic awareness and corporate (political) citizenship as the dominant social forms of organization. His current research, based on the post-Marxist thought, revolves around the issue of contemporary art curatorship, focusing on themes such as: the status of curatorial practices in the post-socialist condition, cultural implications of EU enlargement, methodologies in terms of organizing exhibitions in the context of globalization, critical positioning within the global sphere of art production, and discursive projects dealing explicitly with political, social, and economic features of contemporary art and art system. Beside exhibition-making and curatorial criticism, he is writing on issues of contemporary art and collaborates with artists, collectives, institutions and organizations that strategically examine corporate system developments in the global art world. Curatorial Projects (selected): 2007 Contrasted Working Worlds (CWW), O3ONE, Beograd, Serbia; Private Dancers, O3ONE, Beograd, Serbia 2006 a life less glamorous, O3ONE, Beograd, Serbia 2006 Dis-Economy of Life, MOCA, Skopje, Macedonia; Klub Palach, Rijeka, Croatia; Barutana, Osijek, Croatia; Galerija Miroslav Kraljevic, Zagreb, Croatia; dauhaus, Sofia, Bulgaria; Artpool, Budapest, Hungary 2006 ...any doubts?, O3ONE, Beograd, Serbia 2005 Beograd nekad i sad, Galerija “Beograd”, Beograd, Serbia 2004 MICROPOL, Galerija SKC, Beograd, Serbia 2003 ID N’ DI, Galerija SKC, Beograd, Serbia http://arteconomy.omweb.org http://www.policiesforculture.org/insight/insight5_stamenkovic.html http://www.o3.co.yu/exhibitions/jan-private/private_dancers.html

Nora Sternfeld (curator, educator)

Nora Sternfeld ist Kunstvermittlerin und Kuratorin. Sie ist Mitbegründerin und Teilhaberin des Büros trafo.K, das mit den inhaltlichen Schwerpunkten zeitgenössische Kunst, Zeitgeschichte an Vermittlungsprojekten, Schulungen und Workshops in Museen, Ausstellungen und im öffentlichen Raum arbeitet.
2006 war sie Teil des KuratorInnenteams von Verborgene Geschichte/n - remapping mozart, ein Projekt von Wiener Mozartjahr 2006. Darüber hinaus ist sie im Kernteam des Netzwerks Schnittpunkt. Ausstellungstheorie und Praxis, Vorstandsmitglied der IG Bildende Kunst und im Redaktionsteam von Bildpunkt - Zeitschrift der IG Bildende Kunst. Seit dem Wintersemester 2006 ist sie Teil des Leitungsteams des postgradualen Lehrgangs ecm - exhibition and cultural communication management 2006-08 an der Universität für Angewandte Kunst. Sie ist Lehrbeauftragte an der Akademie der bildenden Künste Wien und publiziert zu zeitgenössischer Kunst, Vermittlung, Geschichtspolitik und Antirassismus.